The Forgiven 2022 Online Subtitrat in Romana

The Forgiven Online Subtitrat in Romana – [1080p]

The Forgiven

titular  : The Forgiven
a lăsa  : 2022-07-01
arhivare : 117 Minutes
gen : Drama

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The Dark Knight Rises 2012 Online Subtitrat in Romana

The Dark Knight Rises Online Subtitrat in Romana – [1080p]

The Dark Knight Rises

titular  : The Dark Knight Rises
declanşator : 2012-07-16
arhivare : 165 Minutes
compoziţie : Action, Crime, Drama, Thriller

I felt like this was a tremendous end to Nolan’s Batman trilogy. The Dark Knight Rises may very well have been the weakest of all 3 films but when you’re talking about a scale of this magnitude, it still makes this one of the best movies I’ve seen in the past few years.

I expected a little more _Batman_ than we got (especially with a runtime of 2:45) but while the story around the fall of Bruce Wayne and Gotham City was good I didn’t find it amazing. This might be in fact, one of my only criticisms—it was a long movie but still, maybe too short for the story I felt was really being told. I feel confident in saying this big of a story could have been split into two movies.

The acting, editing, pacing, soundtrack and overall theme were the same ‘as-close-to-perfect’ as ever with any of Christopher Nolan’s other films. Man does this guy know how to make a movie!

You don’t have to be a Batman fan to enjoy these movies and I hope any of you who feel this way re-consider. These 3 movies are without a doubt in my mind, the finest display of comic mythology ever told on the big screen. They are damn near perfect.
I personally thought this film is on par if not better than the Dark Knight.

Whilst some think the film is too long for the story I didn’t find this. The length of the film is longer than some (but doesn’t feel it), I liked that the film took it’s time rather than shoving more elements in it – I think this contributed to the dramatic ending (much like a classical piece of music will be relaxed and calm before the final crescendo).

At the end of the day whether you like this film will boil down to if you like films Christopher Nolan has directed and/or you like the Christopher Nolan Batman series so far.

Stupendously good film in my opinion.
The Dark Knight Rises is one of the best movies to come out in 2012. The story compels you to watch it time and time again. It also has I of, I my opinion, the best bad guys in any movie, Bane! Batman was well played as all ways and the cast where well selected. I think this movie is the best batman to see the light of day or the darkest nights (pun intended).
No doubt that the movie is one of the best movies of this era.
The film doesn’t lack in whatever it try to do.It has Simple narration with extraordinary Direction,Acting,Music,Cinematography and a lot of qualities.
Christian Bale is supremely entertaining for sure.
The person behind the scenes is actually the real core creater of the film yes! The Director Christopher Nolan ❤ .
The film ofcorse completes with philosophical quality loaded with Lots of Sacrifices.
This one is the one you surely can’t afford to miss.
Go watch The Dark Knight.Go now.
While it’s clearly not as superlative as its famous predecessor, it’s simply because of both Heath Ledger’s outstanding and Oscar-winning performance, and the character of the Joker’s etching in our collective unconscious as the greatest comic-book villain ever created (with Lex Luthor a very distant second place). This is still a masterwork, and is an excellent coda to the finest filmic trilogy ever made. As great as Christopher Nolan is as a director, and as fine a film as ‘Interstellar’ is, I really don’t know if he’ll ever be able to top his work here, on these three films. But I, for one, am certainly looking forward to finding out…
So here we have it. The end of a trilogy, the end of an era of the universe of Batman through the eyes of Christopher Nolan. And baby, it goes out with a bang…

Going into the theatre tonight I actually wasn’t sure what I was up for. I loved Batman Begins, but I didn’t actually care that much for The Dark Knight. So the big question was, will TDKR actually be more like the first or the second film? The answer is: neither.

This third instalment of the Nolan-franchise carries its weight all on its own merits. Despite the lack of any kind of intro or opening credits, there actually is plenty of build-up (partly thanks to the insane opening scene). The foundation for a proper, action-packed story is laid down perfectly, explaining things just enough whilst keeping the viewer intrigued to find out more. But if you thought that Nolan couldn’t surpass his previous work, you will be pleasantly deceived.

Christian Bale as Batman is terrific. Never before was a superhero so human, so vulnerable. As his mask of intangibility and anonymity slowly starts to crumble, this is a man who questions his reasons to keep being who he is, and he must figure it out before it is too late. Because somebody’s preparing to take him and Gotham down, and he might just be too strong for the Batman…

This somebody is a character called Bane. As a character, an actor and a performance it must be incredibly hard to follow Heath Ledger’s The Joker, which was easily one of the greatest villains to ever appear on the silver screen. But tonight, Tom Hardy took a swing for the fence… and made it. His performance is thrilling and actually frightening, in the sense that you don’t just *know* you’re supposed to be afraid of this character, you actually FEEL it. He instils a feeling of horror and discomfort that is not rivalled by many other film villains. What I actually liked about his character the most is the fact that unlike Scarecrow, who grew into being a villain, and the Joker, who was just a raving maniac, Bane was actually (literally) born from evil. Born in hell, as it is said in the film. This is not a man, this is a creature. A living, breathing manifestation of evil that cannot be reasoned or negotiated with. Hardy’s performance is masterful. Since his creepy mask is never removed, he, like only a few actors before him, must act without the use of any facial expressions, making his voice is main tool. His manner of speech (and the sound of it through his mask) is enough to send chills down your spine. This is more than just a another villain from a superhero flick, this is a character that just got torpedoed into the top 10 of the greatest antagonists in the history of film. Now I realise that’s a bold statement to make, but you just go and watch TDKR and prove me wrong.

I would say a slight downside to this film is the overflow of characters, both new and old. Aside from the already familiar characters, three new major ones are introduced. And there are also many characters running along in the margin which may seem not important enough to pay attention to, but actually they are so you need to stay focused.

I understand the character of Joseph Gordon-Levitt, Blake, was written in specifically for him because Nolan wanted him in it. And although as a character he works just fine, it does feel like it was at the expense of Gary Oldman. As a cop, Levitt does everything that Oldman’s character could’ve done, but he spends most of his screen time in the hospital, almost like they wanted to get him out of the way, and that’s really too bad.

Now, I was extremely excited to see what Nolan had done with Catwoman, because she is one of my favourite film characters. When I heard that she would be played by Anne Hathaway, I had my doubts. I thought she was just way too sweet to pull this off. But I must say, Ms Hathaway did a pretty good job. She is actually much more sly and devious than I thought she could be. The Nolan brothers, on the other hand, disappointed me here. Catwoman isn’t really Catwoman, she’s just a sexy girl in a spandex suit who can kick your ass. Her movements aren’t even typically cat-like… So that was a bit of a letdown.

I would also like to make a note on Michael Caine. I think his performance here was so much deeper and more character-driven than the other two films. In fact, there is one scene in particular, where he confesses something to Bruce, that almost moved me to tears. And this is actually TDKR’s greatest strength; unlike the other two films, this one deals much more with actual human emotions, it gives us an insight into what actually drives these characters, both heroes and villains alike.

As much as I would love to, the word-limit restricts me from elaborating more on the characters, so I’ll just move on to the technical stuff. And in that department, actually pretty much everything was perfect. The pacing was very well balanced, and during those 2 ½ hours I didn’t get bored once. Great action scenes alternate with more quiet moments, and the special effects are absolutely awesome. Hans Zimmer once again delivered a terrific score and there was some high quality dialogue. Also in store: a couple of great plot twists and two very cool cameos… There are a few plot holes, but everything else easily makes up for it.

I highly recommend The Dark Knight Rises. It is a worthy conclusion to the trilogy, and it far exceeded my expectations.
_(July 2012)_
Batman was one of my childhood heroes from the Comic magazines even though the Swedish plonkers, in their infinite stupidity, had renamed him to something as ridiculous “Läderlappen” which basically translates into “patch of leather”.

Thus, when Christopher Nolan brought us Batman Begins and steered away from the ridiculous comic shows that the previous batman movies (except the first one) had turned into I was thrilled. Unfortunately I was equally disappointed with this one.

I think the title of the movie is quite misleading since Batman isn’t exactly rising at all but rather sinking. If this would have been a movie about some other “guy” it would probably have been excellent but it isn’t. It’s about Batman and as such I had expected him to be the hero going around beating up the bad guys.

Instead the movie starts downright boring with Batman having dug himself down into a swamp of melancholy and closed himself off from the world. When he finally starts to appear again he gets pretty much beaten at every turn not to mention conned out of the Wayne fortune. What the f… is that? It isn’t until the end that he starts to be the real Batman and even then it’s not very exciting.

Actually Batman, as in Batman and not Wayne, is not really in the movie for a good chunk of the time and the real hero in this movie is really the young cop and he sure isn’t a particularly good substitute for the superhero Batman that I was expecting to watch.

I was struggling with what to give this movie but in the end, since I probably would have thought it to be a good movie if it had not been labelled as a Batman movie, I gave it 5 out 10 stars. At least the special effects where quite okay.
“And when it is done, and Gotham is in ashes, then you have my permission to die.” – Bane, the Dark Knight Rises.

An epic, amazing end to the Dark Knight trilogy, with great acting, numerous complex subplots, a creepy villain, amazing action scenes and a heart-thumping score. I really love this film and consider it one of Nolan’s better works, and I wish more people on the Internet would start giving it more respect.

Oh, also, I really don’t care about the small plot holes like the magic mechanical leg and Bruce appearing in Gotham when he was at the desert shortly before – do you really want to see ten minutes of Bruce using plastic surgery to fix his bone, or him in a airport going to Gotham?
Even though the plot feels messier than the previous two installments, one cannot resist a smile after the unexpected twist and final scenes, which make ‘The Dark Knight Rises’ a worthy final chapter of Nolan’s epical trilogy.

9/10

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Top Gun: Maverick 2022 Online Subtitrat in Romana

Top Gun: Maverick Online Subtitrat in Romana – [1080p]

Top Gun: Maverick

campionat : Top Gun: Maverick
lansare : 2022-05-24
arhivare : 131 Minutes
gen muzical : Action, Drama

What an excellent sequel – I, in fact, like it more than its predecessor.

‘Top Gun: Maverick’ is fantastic, simply put. I was expecting it to be good, but it’s actually much more enjoyable than I had anticipated. The callbacks to the original are expertly done, the new characters are strong/well cast, it has plenty of meaning, music is fab and the action is outstanding – the aerial stuff is sensational.

The story is superb, with each high stake coming across as intended – parts even gave me slight goosebumps, which is a surprise given I’m not someone who has a connection to the 1986 film. It’s all super neatly put together, I honestly came close to giving it a higher rating.

Tom Cruise is brilliant as he reprises the role of Maverick, while Miles Teller comes in and gives a top performance. Jennifer Connelly is another positive, though her role does kinda feel a tiny bit forced in order to have a love interest; given Kelly McGillis’ [unexplained] absence.

Monica Barbaro stands out most from the fresh faces, though I actually did enjoy watching them all – which is something I thought the film may struggle with, adding new people, but it’s done nicely; sure Jon Hamm and Glen Powell are a little cliché, though overall I approve.

A great watch – I’d highly recommend it, though naturally would suggest watching the previous film first if you haven’t already.
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/top-gun-maverick-spoiler-free-review

“Top Gun: Maverick is the return of pure, nostalgic blockbusters, instantly becoming one of this year’s personal favorites. The best aerial action sequences ever amaze even the highest expectations, not only due to the absolutely insane real stunts but largely because of the flawless contribution of all filmmaking elements.

The surprisingly emotional screenplay helps Tom Cruise deliver one of the best performances of his career. Perfect editing is essential to creating such realism, as well as raising the tension levels for one of the best final acts within the respective genre.

And, finally, the memorable score loaded with epic tracks makes the theater experience the only way this magnificent work should be seen.

Superior to the original in every way.”

Rating: A-
A lot of things in this movie do not make sense, like “why not use F-35?”, “why didn’t cruise missiles target enemy air defence and planes in hangars?” to name a few.

The original movie had some seriousness built into it, the sequel I think is closer to a comic book movie. Very similar to the original star wars, especially the action sequence at the end. Just a tad more realistic than black widow, you can clearly see the action comedy style of Marvel movies.

I think a lot of conservatives reminiscing Reagan years would watch it, that should be enough to make it a hit.

I think that is also the reason of the high score. To me the movie quality is more of 5 ~ 7 out of 10.

Just don’t think too much when watching it, but I don’t think that is too big a problem for the target audience.
It seems like I have been watching the trailers for this film for years now – and you know what? Yes – it was worth the wait. The film is all about some truly exhilarating aerial photography that culminates in some super dogfighting and a good old dose of nostalgia. Tom Cruise is very much in his element as the ageing – and frequently not afraid to look it – eponymous “Top Gun” pilot drafted in by a rather sceptical admiral to train up a new squad for a very perilous mission to destroy an underground uranium enrichment facility. The team arrive – full of hormones – and he must whip them into shape, a task made more difficult by the presence of “Rooster” (Miles Teller) who is the son of his old mate “Goose” who came to a sticky end last time out in 1986. He also gets to rekindle his romance with bar owner “Penny” (Jennifer Connelly) whilst all under the protection of his former wingman, now the poorly retired admiral “Kazansky” (Val Kilmer). To be honest, the story isn’t really up to much – there are some twists and turns, the script is not without some humour but there is no jeopardy really. We all know what is going to happen in the end. That said, though, everyone is on good form; the pace (aside from the interludes with Connelly which do rather abruptly slow things down a bit) is consistently action packed and the imagery from both inside and outside of these amazing pieces of machinery is not at all repetitive and is compelling to watch. Even the usual gung-ho, ye-ha stuff is kept to a minimum – this is a superior film depicting the US military at it’s most competitive, but also at it’s most intelligent – and I really quite enjoyed it. Big screen photography – don’t wait til it is on the telly.
_Top Gun: Maverick_ is a sequel that is a leaps and bounds improvement over the original film. There’s better acting from the entire cast, more of an emotional attachment between at least two of the main characters in the film, and subtle humor that actually lands. But the film’s constant need to fly in the same flight pattern as the original film comes off as more of a restraint than a fond recollection.

The sequel seems to highlight many of the shortcomings of the original film, which in retrospect seems like something you’d try to avoid. With its record breaking box office during Memorial Day weekend, _Top Gun: Maverick_ is an enormously thrilling sequel with unparalleled action sequences that has proven to be exactly what fans have been waiting over 30 years for.

**Full review:** https://hubpages.com/entertainment/Top-Gun-Maverick-2022-Review-Dont-Think-Just-Sequel
💯 Best movie I’ve seen this year. You won’t be disappointed.
Haven’t seen a movie this perfect in decades. It was most obviously written and directed with the audience in mind – no politics, no preaching, no gratuitous sex, no woke, no offensive casting or characters. Brilliant, simplistic screenwriting and thrill rides. The original, if you’ve seen it, was iconic as it was, and to know it makes the second film here more enjoyable, but even if you’re not familiar with the background of the characters it’s clearly presented enough to be a stand-alone enjoyable film.
> Loved this movie. Even had me guessing to the end. Seems like every cast member picked to play their role was the only person that could pull it off especially for the song of Goose. 9.9/10 sequel never lived up to original this one did. 10/10

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Samaritan 2022 Online Subtitrat in Romana

Samaritan Online Subtitrat in Romana – [1080p]

Samaritan

cap : Samaritan
declanşator : 2022-08-25
arhivare : 99 Minutes
gen : Action, Thriller, Fantasy

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Terror on the Prairie 2022 Online Subtitrat in Romana

Terror on the Prairie Online Subtitrat in Romana – [1080p]

Terror on the Prairie

titlu  : Terror on the Prairie
comunicat de presă : 2022-06-14
arhivare : 107 Minutes
gen muzical : Western, Action, Thriller

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Suicide Squad 2016 Online Subtitrat in Romana

Suicide Squad Online Subtitrat in Romana – [1080p]

Suicide Squad

titlu  : Suicide Squad
: 2016-08-03
arhivare : 123 Minutes
compoziţie : Action, Adventure, Fantasy

Summertime 2016 has not been very kind to DC Comics-based personalities looking to shine consistently like their big screen Marvel Comics counterparts. Following the super-sized dud that was _Batman v. Superman: Dawn of Justice_ released a few months ago must really put some major pressure on Warner Bros. to gamble on ensuring that the presence of **Suicide Squad** does not meet the same kind of indifferent reception. Well, it turns out that although the anticipation was high for writer-director David Ayer’s supervillain saga involving high-powered imprisoned rogues recruited as U.S. governmental operatives out to stop other skillful baddies (as it was for Zack Ryder’s aforementioned “Dawn of Justice”) the concoction of **Suicide Squad** feels like a colorful mishmash of collective misfits laboriously taking up space in a disjointed eye candy-coated spectacle that never manages to match its intended sizzle.

One would think that the premise for **Suicide Squad** would tap into the intriguing naughtiness with more robust gumption given the collection of super-powered oddballs asked to be immediate anti-heroes in this toothless jamboree of renegade rejects. Strangely, the grim and brooding presentation of **Suicide Squad** is more of an erratic downer than a hyperactive high-wire act as intended at the creative hands of Ayer. There is no reason why this lively group of adventurous agitators should appear so flat and inconsequential in a boisterous blockbuster that sporadically limps.

Given the twisted members that comprise this elite team of terrorizing tools it is very disappointing to see how **Suicide Squad** struggles with its so-called subversive themes. Sadly, this splattered mess never firmly grasps its bid for distinctive irreverence or off-balance exploitation. Instead, **Squad** feels strained in its execution and we are never really invested in entirely watching these treasured troublemakers find redemption because the story is soggy and uninspired. Furthermore, not all of the **Squad** participants are fleshed out satisfyingly for us to get behind with thirsty cynicism. The headlining leads in Will Smith’s Floyd Lawton/Deadshot, Oscar-winner Jared Leto’s green-haired Joker and Australian beauty Margot Robbie’s Harleen Quinzel/Harley Quinn get the meaty standout parts while the lesser known supporting cast get stuck with chewing on the thankless remaining bone while seemingly acting as background furniture to the bigger names.

Naturally, desperation has set in for the U.S. government as they need to safeguard national security against advanced sinister forces that threaten the fiber of American self-interests everywhere. What better way to hire gifted protection than to consider employing the world’s most incarcerated corruptible, cutthroat cretins to perform the dirty work in unforgivable mission ops that require death-defying determination. Enter U.S. Intelligence agent Amanda Waller (Oscar nominee Viola Davis). Waller’s duties are to assemble the ragtag team known as the Suicide Squad–ominous (yet talented) jailbirds tapped to step in and assume superhero status (especially when the real superheroes are tied up in other crime-stopping affairs) while helping out for the greater good of our vulnerable society. In exchange for the Suicide Squad’s sacrifice in turning from hell-bent heels to reluctant heralded heroes they are promised commuted prison sentences should they effectively defend and destroy the deadly foes out to promote heavy-handed havoc across the board.

Conveniently, bureaucratic bigwig Waller (through voiceover) introduces the Suicide Squad and describes what beneficial assets they bring to the turbulent table. Among the naughty notables include the well-known ace sniper Floyd Lawton/Deadshot as well as legendary lethal joy-boy Joker and his better (or perhaps worst half) in girlfriend Harley Quinn. The other toxic tag-a-longs along for the thrill ride of becoming rebellious rescuers include George Harkness/Boomerang (Jai Courtney), Chato Santana/El Diablo (Jay Hernandez), Waylon Jones/Killer Croc (Adewale Akinnuoye-Agbaje), Tatsu Yamashiro/Katana, Enchantress (Cara Delevingne) and Rick Flag (Joel Kinnaman).

Overall, **Suicide Squad** is surprisingly depressing and goes through the proverbial motions without so much as taking advantage of its surrealistic makeup. The movie never realizes its excitable potential and drifts into yet another superhero yarn that is more patchy than pronounced. Smith’s Deadshot is out in the forefront but for the most part feels restrained and not as spry and savvy as one would imagine. Leto’s Joker obviously pales in comparison to the brilliant and mesmerizing psychotic take on the role that earned the late Heath Ledger his posthumous Oscar statuette. In all fairness, nobody could inhabit the Clown Prince of Crime as Ledger uncannily did with committed concentration. Still, Leto’s Joker–although viciously off-balance–felt recycled and furiously empty at times. Robbie’s turn as Joker’s misguided main squeeze merely comes off as a bratty Barbie Doll with synthetic edginess. The other **Squad** participants settle for the back burner more or less which is a crying shame because they should have been more engaged than the tepid material allowed them to be initially.

Woefully sketchy and missing the fueled opulence that one would expect emerging from this cockeyed costume caper **Suicide Squad** is a detonating dud for the missing explosive DC Comics movie brand that needs to step up the pace if they expect to make a consistent and challenging impression on the devoted fanboys at the box office looking to move beyond the sardonic fantasy-based realm of another redundant serving of a _Batman/Superman_ entry.

**Suicide Squad** (2016)

Warner Bros.

2 hrs. 3 mins.

Starring: Will Smith, Jared Leto, Margo Robbie, Viola Davis, Joel Kinnaman, Jay Hernandez, Jai Courtney, Scott Eastwood, Adewale Akinnuoye-Agbaje, Ike Barinholtz, Common, Cara Delevinge, Karen Fukuhara, Adam Beach

Directed and Written by: David Ayer

MPPA Rating: PG-13

Genre: Superheroes Saga/Action & Adventure/Comic Book Fantasy

Critic’s rating: ** stars (out of 4 stars)

(c) **Frank Ochieng** (2016)
Suicide Squad is the third and latest entry into the DCEU, and is about a bunch of bad guys that are rounded up to fight for someone else. And just like this year’s BvS, this movie received overwhelmingly negative reviews by the critics and was divided among the fans. I was super curious to watch it because unlike many, I actually enjoyed the DCEU till this point. Enjoyed both Man of Steel and BvS. But unfortunately, this one’s a mess.

The majority of the movie just feels choppy, editing was all over the place. Like they had a final product but because of disagreements, they took out a lot of scenes, shorten the runtime, and added others, making a giant choppy mess in the end. Scenes don’t properly flow, including the flashbacks. Some scenes feel like they were added later (Probably the re-shoots) and they definitely didn’t fit, particularly the elevator scene with Harley. The songs were all over the place as well. Some worked with their respective scenes, but most of them didn’t, and again it felt like something added later, to give the movie a more jolly feel. And difference between development given to each member of the squad is astounding. Some were completely left in the dust, while some got a bit of line here and there, while some got a lot more development. Basically, to me it felt like that the movie reeked of studio involvement.

Also, the focus was just off. Movie is called Suicide Squad yet there is a whole lot of other stuff that gets way too much screentime. The whole end of the world plot was totally generic, uninteresting and unnecessary. The villain wasn’t good, and the movements were weird, and not in a good way. Joker-Harley romance was also something padded on, and could have been removed in exchange for more screentime with the squad.

Speaking of the Joker, he and his whole weird mafia/gangster lord type vibe didn’t work for me. Jared Leto felt like he was trying too hard at times. There were moments where I saw the Joker I wanted in him, but those moments were swiftly followed by over the top feel that he gave most of the time. And that laugh….Yeah NOPE!!

Even the action was mostly OK, apart from a couple of good scenes. There was no proper thrill, no proper buildup. Too many cuts. Say what you want about Snyder, but you have to admit that the dude can atleast direct amazing action sequences.

And all of that sucks because there is stuff in the movie that works, like the main squad. Will Smith as Deadshot was great. He played his usual cool self and it worked. Margot Robbie as Harley Quinn was sexy and mostly good, because there were few instances where her dialogues gave me cringe. These two had a good chemistry together too. Also liked other members like El Diablo, Killer Croc, and captain Boomerang, all of whom were likable, had some fun moments etc.

Plus, among all the mediocrity, there were glimpses of what the movie could have been like. Fun moments between the squad, some touchy moments, rare cool action sequences, full group scenes or rather a scene, the bar scene and such.

Ultimately, The movie is like a mediocre cake covered with a thin layer of good frosting. The overall taste isn’t bad, but it isn’t good either. You enjoy the good frosting for a short while, and then have to deal with a whole lot of mediocre tasting body of the cake. I was disappointed. I really REALLY wanted to like this film. Pushed back all the negative or positive criticism and went in with an open mind. I’m not too hopeful what the extended cut will improve as 13 mins of footage isn’t much, and I’m guessing it is Joker footage mostly.

It’s funny that after watching this, I respect MCU more now considering what they were able to do with the more risky project: Guardians of the Galaxy.

6/10

Blog Post Link: http://reviewsreactor.blogspot.com/2016/10/suicide-squad-2016-movie-review.html
Some semi-interesting visuals and a few characters I’d like to get to know, but an absolute mess of a movie. The thing feels like a trailer, or a clipshow, or a music video or some other sort of two-hour long promotional material for the actual _Suicide Squad_ that comes out later.

_Final rating:★★ – Had some things that appeal to me, but a poor finished product._
**They are not superheroes, they are supervillains.**

It’s nothing against DC, but overall I’m starting to think the todays cinema is getting crowded with the lots of superheroes. Just like any pollution or the over population on the earth’s surface. It needs stability, but nobody cares about it other than money making agenda. I also think it’s going to last for only a few more years, when this trend going to end like that happened in the 70s, 80s and the 90s. And the space travel era to begin which is already kick- started. So DC or Marvel and others, they should be careful, for far they could take their products.

Like the title say, it’s not just about the film characters, the film itself a suicidal. I’m not saying the film was unnecessary, but the plot was dragged too much. There are too many pauses, or you can call time wasting moments. I could not take another blowing up city concept. And that swirling thing in the sky, I don’t know how long they are going to use it in the superhero films. I did not like the supernatural concept which is supposed to be a pure science fiction action adventure. At least Thor was from another planet, more like he’s an alien, but the witch in this film, ruined my appetite.

The actors were not bad and so the graphics, including the stunt sequences. The story was very familiar. It was more or less, same as the animated flick ‘Monsters vs Aliens’. It can be watched for entertainment purpose, the majority won’t say it’s their favourite or one of the best of the year. But surely there are people who would love it. It was a massive box office hit and I don’t see any hurdle for its sequel, but all I hope is it to get better in the follow-up. So finally, it’s not a bad film or boring, but it just did not have the midas touch that all the superhero films had. That means a watchable film, only for once.

_5/10_
Aka NEEDLE DROP: THE MOVIE

SUICIDE SQUAD is a mess. But an entertaining, well-cast mess.
*** This review may contain spoilers ***

Suicide Squad has a horrible script. First, there was the story–such as it was–itself: A super villain with the power to end the world goes to work in a universe that has established Batman and Wonder Woman. So what do the authorities do? Call up Batman and Wonder Woman? Of course not! Hire a bunch of criminals to save the world.

It would be like if the U.S. was invaded by China, and we went and got the Taliban to protect us.

So, from the very bones of the story, the movie fails. Add in a tell-and-don’t-show approach to characterization, and horrendous dialogue, and this film was doomed before it got off the printed page. I really wanted to like this film, but I just couldn’t.

So, let’s go back to the tell-and-don’t-show approach to the characters. Instead of seeing and experiencing anything, we’re told what such-and-such is all about. It’s an incredibly boring and lazy style of writing. Look at he scene where the principal characters all sit around and tell stories while they have a drink. But that’s the thing: They shouldn’t be telling us anything. Everything that is told to us as if we’re a classroom of elementary school students instead of adults who can put two and two together, should be revealed through each character’s dialogue and actions. But that would require some actual writing. This movie seems like it simply filmed the first draft of the screenplay. And then there’s the dialogue itself. “I’ve already killed one family; I won’t kill another.” Who wrote this? A high school kid who thought he was being deep? Flagg refers to the love of his life as the girl he “was sleeping with.” Serious? You’re risking your life to save some broad you’re banging? And then after two hours of watching Harley pine for Joker and reject the rest of the members of her “squad”, she’s finally given the chance to be with the Joker and live happily ever after. Well, despite everything we’ve seen for the past two hours alluding to the fact that that is exactly what she wants, she rejects that for “her friends.” She’s never shown any sort of friendship so far in this movie. But, dialogue.

It’s typical fill-in-the-blank writing. So, Harley didn’t show any love for her “friends” but did for Joker. And then chose her “friends” over the Joker. So, I guess it’s up to the audience to “fill in the blank” and decide what Harley’s change of heart was all about? It shouldn’t be the audience’s responsibility to do the writer’s job.

The characters themselves were boring and uninteresting. Despite wasting the first 20 or so minutes on the film trying to make us love the psychotic Harley Quinn and mass murdering Deadshot, I didn’t care. I just couldn’t care for anyone or anything happening. It was like there was an invisible barrier between me and the screen. I just couldn’t get into the movie. And since no one other than Harley, Deadshot, and Flagg got a pointless backstory introduction, the audience feels, subconsciously, that these are the characters that will carry the story. They don’t. The only character that was even remotely interesting was Katana. And despite a few flashes here and there of decent martial arts and kenjutsu action, the character is wasted.

And speaking of wasted characters, let’s talk Joker. Jared Leto was upset how much of the Joker was cut from the film. If you can cut such a big name and charismatic character down to the point where the actor playing him complains, and still get away with a finished film, the problems with the script become apparent. Joker was wasted in this film. You cut him out entirely, the overall story doesn’t change. So, why include him in the first place? Because shared universe…maybe? Or something? I don’t know. And neither do the filmmakers.

And while I know almost everyone on the planet–including those who despise the movie–praise Margot Robbie’s Harley, I found her shtick getting old rather quickly. And then to top that off, she reneges on her established motive, thus making her a totally pointless character.

And, before we move on from the topic of bad characterization, what was with Amanda Waller (a good guy…I guess?) executing FBI agents? I feel like I missed the most important scene in the movie–the one that shows something that makes the entire movie make sense. But then again, Amanda Waller doesn’t make good choices. She has a folder, inside of which is a list of the upcoming DCEU characters: Aquaman, Flash, Cyborg, etc. She actually has dinner with Batman. But she puts the world’s fate in the hands of Diablo, Boomerang, Harley Quinn and Deadshot. It’s like calling the police because of a problem, and then scouring death row for the people who will actually solve this problem. Yeah, I’m confused too.

But let’s go to the ending. Because the ending shows us one thing: That the Suicide Squad’s involvement in all of this was totally pointless. Simple bombs end up saving the day. Bombs. Man made, average, everyday bombs. Satchel charges. Any idiot in a uniform can detonate a bomb. So, why let out a bunch of mass murderers to save the world, if saving the world only involves setting off satchel charges? I mean, why not call the Air Force in, have them drop a couple of bombs, and send a guaranteed-to-be-disappointed-audience-anyway home early? One phone call to the Pentagon, and the ENTIRE MOVIE is UNNECESSARY. But, DC.

In the end, this movie was a total disaster.

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Secret Headquarters 2022 Online Subtitrat in Romana

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Secret Headquarters

titular  : Secret Headquarters
declanşator : 2022-08-12
arhivare :
gen : Family, Science Fiction, Adventure

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Avatar: The Way of Water 2022 Online Subtitrat in Romana

Avatar: The Way of Water Online Subtitrat in Romana – [1080p]

Avatar: The Way of Water

titlu  : Avatar: The Way of Water
a lansa  : 2022-12-14
arhivare :
compoziţie : Science Fiction, Action, Adventure

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Polar 2019 Online Subtitrat in Romana

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Polar

generic : Polar
: 2019-01-25
arhivare : 118 Minutes
gen muzical : Action, Crime, Drama

This is a bit of a strange movie. Part of it feels like a pretty good, dark and gritty thriller, part of it feels like a wannabe Tarantino movie and part of it feels like a comedy. Overall I would classify it as a B-movie but a pretty good B-movie. As strange as the movie is I have to say that I liked it.

I kind of watched this movie on a whim. It popped up on my Netflix home screen and I kind of liked the blurb. A type of story that I like. Then I saw that Mads Mikkelsen played the lead role and this sold me on it. I quite like Mads Mikkelsen in these kind of roles.

The movie starts off in a fairly normal way for this kind of movie. You know, some assassinations, introduction of the hero, the bad guys, the even badder guys and all that. It is fairly clear already from the start that there will be blood splatter. That it would reach the levels it did towards the end of the movie was a bit of a surprise though.

I did like Mads Mikkelsen in his role as Duncan, the somewhat brooding and grim assassin starting his retirement. But then I’m not really surprised. It’s a perfect role for him. The rest of the actors, well let’s just say that their acting was for the most part forgettable. Maybe with the exception of Matt Lucas as Blut. But then, his role was so comical and wacky so one wonders if it required acting skills or just a good dose of insanity (or some chemical products).

The blurb states that he is deemed a liability. Well, that is not exactly the truth actually. It is more that his overly wacky boss is trying to screw him. This is where it starts to get into comedy land. Already in the first couple of scenes it is clear that this guy is a nut job. Then he let’s loose his assassins and at that point the movie escalates in a orgy of blood, violence and comedy.

I cannot really make up my mind if it would have been a better movie if the violence would have been less comical or not. With the comedy this movie becomes a bit unusual and sticks out. Without it it would risk becoming just another thirteen on a dozen assassin thrillers. Also, as comical as it is, it is fairly well done.

Anyway, there is of course a pretty dramatic and violent fight as the movie draws to a close. I quite liked that one. There is also a little twist that I actually did not see coming at the end.

Overall, it was a fun movie to watch.
**What a bloody mess.**

I the middle of the film, I stopped serveral times and wondered how to salvage this trainwreck, if I was the writer.

The Mikkelsen and Hudgens scenes are strong, emotional, well written and acted, and make sense. And Mikkelsen is excellent for this sort of action hero thing – for which there are good action scenes, iconic even.

But all of that doesn’t tie in with the violent clowns. That part has some clever moments, but really daft hours – like, most of the movie. I wonder how the script came to be – whether a good original story got script-doctored by the wrong people. Add some wanton violence, some sex scenes, some torture and more torture, daft villains – lot’s of unnecessary stuff that’s just ups the rating without giving anything of value. I kept wondering “why”.

There is a number of good bits, which seem familiar; there is a lot of crap that feels like a complete WOMBAT. Someone OK’d this, produced, made, left it in the cut – and I don’t see why.

This could’ve been an original, violent and interesting movie. But it was utterly messed up.

Won’t watch again, but managed to finish it.

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Barbarian 2022 Online Subtitrat in Romana

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Barbarian

colontitlu : Barbarian
a lansa  : 2022-09-09
arhivare :
compoziţie : Thriller, Horror

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